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The
Art of Mexico!: The SJRCC Orange Park Campus Library Celebrates
Hispanic Heritage Month
Titles at the SJRCC Libraries Selected by Eric
Biggs
PAL = Palatka Campus |
OPC = Orange Park Campus | SAC = St.
Augustine Campus |
The
Art and Architecture of Mexico: From 10,000 B.C. to the Present
Day by Pedro Rojas
Call number: PAL - N6550 .R6 1968
|
The
Diary of Frida Kahlo: An Intimate Self-Portrait - Publisher's
Marketing: "Published here in its entirety for the first
time, Frida Kahlo's amazing illustrated journal documents the last
ten years of her turbulent life. This passionate, often surprising,
intimate record, kept under lock and key for some forty years in
Mexico, reveals many new dimensions in the complex persona of this
remarkable Mexican artist. Covering the years 1944-54, the 170-page
journal contains Frida's thoughts, poems, and dreams, and reflects
her stormy relationship with her husband, Diego Rivera, Mexico's
most famous artist. The seventy watercolor illustrations in the
journal - some lively sketches, several elegant self-portraits,
others complete paintings - offer insights into her creative process,
and show her frequently using the journal to work out pictorial
ideas for her canvases."
Call number: SAC - ND259.K33 A2 1995
|
The
Fabulous Life of Diego Rivera by Bertram David Wolfe
Call number: PAL - ND259.R5 W56 1963
|
Frida
Kahlo: A Modern Master - Publisher's
Marketing: "Mexican painter Firda Kahlo first began
to paint her brilliantly colored, highly stylized works, while recovering
from an auto accident. Encouraged by muralist Diego Rivera, whom
she later married, she produced more than 200 paintings that speak
directly to contemporary feminist issues. Though her work was often
overlooked during her lifetime, Kahlo is now ranked among the great
masters of the twentieth century. This volume chronicles Kahlo's
life and work with archival photographs and full-color illustrations
of her greatest paintings."
Call number: SAC - ND259.K33 H37 2006
|
Frida
Kahlo: The Paintings - Publisher's Marketing:
"In small, stunningly rendered self-portraits, Mexican artist
Frida Kahlo painted herself cracked open, hemorrhaging during a miscarriage,
anesthetized on a hospital gurney, and weeping beside her own extracted
heart. Her works are so incendiary in emotion and subject matter
that one art critic suggested the walls of an exhibition be covered
with asbestos.
In this beautiful book, art historian Hayden Herrera brings together
numerous paintings and sketches by the amazing Mexican artist, documenting
each with explanatory text that probes the influences in Kahlo's
life and their meaning for her work. Included among the illustrations
are more than eighty full-color paintings, as well as dozens of
black-and-white pictures and line illustrations. Among the famous
and little-known works included in Frida Kahlo: The Paintings are
The Two Fridas, Self-Portrait as a Tehuana, Without Hope, The Dream,
The Little Deer, Diego and I, Henry Ford Hospital, My Birth, and
My Nurse and I. Here, too, are documentary photographs of Frida
Kahlo and her world that help to illuminate the various stages of
her life."
Call number: SAC - ND259.K33 H4 2002
|
Leopoldo
Mendez: Revolutionary Art and the Mexican Print
- Publisher's Marketing: "Leopoldo
Mé ndez (1902-1969) was one of the most distinguished printmakers
of the twentieth century, as well as one of Mexico's most accomplished
artists. A politically motivated artist who strongly opposed injustice,
fascism, and war, Mé ndez helped form and actively participated
in significant political and artistic groups, including the Estridentistas
in the 1920s and the Liga de Escritores y Artistas Revolucionarios
(LEAR) and the Taller de Grá fica Popular (TGP) in the 1930s.
To champion Mexican art and artists, Mé ndez also founded and
directed the Fondo Editorial de la Plá stica Mexicana, a highly
respected art book publishing company. Leopoldo Mé ndez
is the first book-length work in English on this major Mexican artist.
Profusely illustrated with over one hundred and fifty images, it
examines the whole sweep of Mé ndez's artistic career. Deborah
Caplow situates Mé ndez within both Mexican and international
art of the twentieth century, tracing the lines of connection and
influence between Mé ndez and such contemporaries as David
Alfaro Siqueiros, Diego Rivera, José Clemente Orozco, and
printmaker José Guadalupe Posada. Caplow focuses on the period
in the 1930s when Mé ndez and his fellow artists in LEAR
and TGP played a key role in the development of a Mexican political
art movement and a modern Mexican cultural identity. She also describes
how Mé ndez created a body of powerful anti-Fascist images
before and during World War II and subsequently collaborated with
artists from Mexico and around the world on political printmaking,
in addition to publishing books and creating prints forfilms by
the eminent Mexican cinematographer, Gabriel Figueroa."
Call number: SAC - NE546 .M4 C37 2007
|
Mexican
Art by Justino Fernandez
Call number: PAL - N6550 .F417 1965
|
| Posada's
Popular Mexican Prints - Publisher's
Marketing: "273 great 19th-century woodcuts: crimes,
miracles, skeletons, ads, portraits, news cuts. Table of contents
includes Calaveras; Disasters; National Events; Religion and Miracles;
Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations;
and Everyday Life."
Call number: PAL - NE546.P6 B47 1972
|
Posada's
Mexico edited by Ron Tyler
Call number: PAL - NE546.P6 A4 1979
|
Siqueiros
by David Alfaro Siqueiros
Call number: PAL - ND259.A4 G823 1965 OVRSZ
|
| Skulls
to the Living, Bread to the Dead: The Day of the Dead in Mexico
and Beyond - Publisher's
Marketing: "Each October, as the Day of the Dead draws
near, Mexican markets overflow with decorated breads, fanciful paper
cutouts, and whimsical toy skulls and skeletons. To honor deceased
relatives, Mexicans decorate graves and erect home altars. Drawing
on a rich array of historical and ethnographic evidence, this volume
reveals the origin and changing character of this celebrated holiday.
It explores the emergence of the Day of the Dead as a symbol of
Mexican and Mexican-American national identity.
Skulls to the Living, Bread to the Dead poses a serious challenge
to the widespread stereotype of the morbid Mexican, unafraid of
death, and obsessed with dying. In fact, the Day of the Dead, as
shown here, is a powerful affirmation of life and creativity. Beautifully
illustrated, this book is essential for anyone interested in Mexican
culture, art, and folklore, as well as contemporary globalization
and identity formation."
Call number: SAC - GT4995.A4 B73 2006
|
Treasures
of Mexico from the Mexican National Museums =Tesoros de México
de los Museos Nacionales Mexicanos: An Exhibition Presented by the
Armand Hammer Foundation edited by Olga Hammer and Jeanne
D'Andrea
Call number: PAL - N6550 .T73 1978 |
Twenty
Centuries of Mexican Art
Call number: PAL - N6560 .N4 1972
|
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